<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-840064991378993767</id><updated>2012-01-30T09:46:27.381-08:00</updated><title type='text'>Patrick's Papers  (in chronological order)</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://warwiththeworld.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/840064991378993767/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://warwiththeworld.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Patrick Hallstein / McEvoy-Halston</name><uri>http://www.blogger.com/profile/02091303562091479924</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-840064991378993767.post-1841181470968093400</id><published>2008-06-30T14:48:00.000-07:00</published><updated>2010-01-21T09:50:10.628-08:00</updated><title type='text'></title><content type='html'>&lt;div&gt;&lt;b&gt;--------------------------------------------------------------------------------------------------------------&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:Georgia, -webkit-fantasy;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-family:'trebuchet ms';"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Word&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:'trebuchet ms';"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; versions are revised, more polished.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'trebuchet ms', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;--------------------------------------------------------------------------------------------------------------&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;MY BOOK:&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;  &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Draining the Amazon's Swamp:  All we are prepared to do when we read, write, watch, make -- &lt;/span&gt;&lt;/b&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;live&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; -- our fictions&lt;/span&gt;  &lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(2002 -2006) &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;a href="http://www.scribd.com/doc/25499784/Draining-the-Amazon-s-Swamp-All-we-are-prepared-to-do-when-we-read-write-watch-make-live-our-fictions"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word/pdf)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Many of the essays here, edited, and ordered chronologically.  I hope it will become a staple for the new discipline of psycho/phenomoliterature.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;B&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;runo Amounts to a Rather Large Penis in the Face &lt;span class="Apple-style-span" style="font-weight: normal;"&gt;(August 2009)&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;a href="http://www.scribd.com/doc/20489517/Bruno-Amounts-to-a-Rather-Large-"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;A paper wherein I argue that&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; Sasha Cohen's&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Bruno&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; amounts to a rather large penis in the face&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;.&lt;/span&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Be Well Leery of the Ring &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(July 2009) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/17816761/Be-Well-Leery-of-the-Ring"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.scribd.com/doc/17816761/Be-Well-Leery-of-the-Ring"&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;     Argues that &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Peter Jackson's&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Lord of the Rings&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; draws us into unforgivable unfaithfulness.  Involves a fairer tribute to Merry and Pippen than Jackson  cares to offer.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Come into My Space Dungeon and Let Me Poke You with a Pogo-Stick:  Review of Abram's &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Star Trek&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(May 2009) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/15895140/1-Come-into-my-space-dungeon-and-let-me-poke-you-with-a-pogo-2-Spocks-humanization-project"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Actually an essay in two parts, with part two titled, "Spock's Humanization Project."&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Help Wanted:  Review of &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Wendy and Lucy&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(May 2009) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/15274299/An-Incomplete-Review-of-Wendy-and-Lucy"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Possibly part of an unfinished review series--I'm having difficulty finishing these days.  Still, first paper published outside of university, and hurray for me!&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Soothing Satire:  Mending Our Way to Better &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(July 2006) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3798307/Soothing-SatireMending-Our-Way-to-Better"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3733341/Soothing-Satire-Mending-Our-Way-to-Better-in-Douglas-Couplands-Generation-X-July-2006-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;On &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Douglas Coupland's &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Generation X&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;.  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Wrote this one in part to impress a girl (might it not also impress you?).  Explores why Generation X is about narrating a world so it seems stable, dependable. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span"  style="font-family:Georgia, -webkit-fantasy;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;How Insensitive!&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (July 2006)  &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3759609/How-Insensitive-Historiographical-Assessments-of-the-Eighteenthcentury-Writer-and-Reader-of-AntiSlavery-Literature-July-2006-Word"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Historiographical assessment of the eighteenth-century reader and writer of anti-slavery literature.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;The Good Fight, In George Walker's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Love and Anger&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(July 2006) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3798394/The-Good-Fight-In-George-Walkers-Love-and-Anger-August-2006-Word"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word) (&lt;/span&gt;&lt;/a&gt;&lt;a href="http://www.scribd.com/doc/3735111/The-Good-Fight-in-George-Walkers-Love-and-Anger-August-2006-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Scanned&lt;/span&gt;&lt;/a&gt;&lt;a href="http://www.scribd.com/doc/3735111/The-Good-Fight-in-George-Walkers-Love-and-Anger-August-2006-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;One of those papers I wrote for a prof. who made me uncomfortable, on an author I have little respect for.  Wondering if all this shows in the work.  In any case, a struggle to put together, but still pretty a(nd)cute.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Moderns and Their Mothers' Reach&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (May 2006) (&lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3760267/Hot-Tin-Death-of-S"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Word&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;)&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Full title:  Moderns and Their Mothers' Reach:  Returning to the Empowered Mother in &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Tennessee Williams'&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; Cat on a Hot Tin Roof&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;and &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Arthur Miller's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Death of a Salesma&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;n&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;.  Barely handed this one in time, but I've since re-edited it, and now like it.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Grabbing Hold for Departure's Sake&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (April 2006)  &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3846788/Max-Vigne"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;  &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3714401/Max-Vigne-paper-on-Andrea-Barretts-Servants-of-the-Map-April-2006-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;On &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Andrea Barrett's &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Servants of the Map&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;.  One of my favourites from the 2006 batch.  Details how Max Vigne--and many of us--loosen our attachments to those we've depended on, without guilt. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Matricide in the City&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Feb. 2006)  &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823014/matricide-in-the-city"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3714374/Matricide-in-the-City-The-story-of-the-invisible-man-the-story-of-New-York-Feb-2006-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Second paper I've written on &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Ralph Ellison's &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Invisible Man&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.  About how Ralph Ellison makes use of the moderns' preferred ways of imagining the city to avenge himself in his novelistic universe upon his own mother.  Write about this sort of thing a lot, but there's a lot of this sort of thing going on.  (Really, there is.)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Quitting Home in A&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;s For Me and My House&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Jan. 2006) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3760259/Quitting-Home-in-Sinclair-Rosss-As-For-Me-and-My-House-Jan-2006-Word"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3722057/Quitting-Home-in-Sinclair-Rosss-As-For-Me-and-My-House-Jan-2006-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Sinclair Ross&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; paper.  Various different computers kept dying while trying to write this.   Sister Shannon came to the rescue.  One of two papers over twenty pages I wrote that year that more-or-less worked from beginning to end.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Consolidating Gains&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Dec. 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3822941/Consolidating-Gains-Warding-Off-Anihilation-in-Stanley-Kuntizs-Poetry"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710195/Consolidating-Gains-Dec-2005-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;On the American poet &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Stanley Kunitz.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;  The other over twenty page paper I wrote in grad school which worked from beginning to end.  The beginning is actually derivative of another paper of mine, "Marcher's Merger" (grad school's demand for such lengthy papers works against fresh writing, me thinks), but the rest was a voyage of discovery.  Prof for some reason thought that you can't use a poet's poems to diagnose the poet.  Couldn't or shouldn't, professor?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;A Good Place for a Pump and a Dum&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;p&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Dec. 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3760239/A-Good-Place-for-a-Pump-and-a-Dump-Attending-to-Basic-Needs-in-Bertram-Brookers-Think-of-the-Earth-Dec-2005-Word"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Full title:  "A Good Place for a Pump and a Dump:  Attending to Basic Needs in &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Bertram Brooker's &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Think of the Earth&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;."  A Cdn writer no one has ever heard of.  Can't find paper copy right now, so no pdf file (but prof thought it not as "crisp" as previous work--i.e., "Critical Introduction" [below]).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Critical Introduction:  &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;As For Me and My House&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Oct. 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3822981/critical-introductionas-for-me"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3847936/My-Own-Introduction-to-As-For-Me-and-My-House-Oct-2005-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;The assignment was to write your own New Canadian Library (or some such) intro to this "classic" work of Canadian literature.  Prof liked it, but thought it too sarcastic for an intro.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Getting Noticed&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (July 2005) &lt;a href="http://www.scribd.com/doc/20078141/Getting-Noticed"&gt;(Word)&lt;/a&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3712697/Getting-Noticed-Warranting-Attention-in-the-Work-of-Various-Victorian-Poets-July-2005-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;A look at the work of a few&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; Victorian&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; poets.  Some good insights, but more inspired work was done in the other paper I wrote for this class (i.e., "Maintaining the Peace").   Was very comfortable with the prof. of this course.  Always shows in the paper itself.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Maintaining the Peac&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;e&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (May 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823009/lady-of-shalott-paper"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3713942/Maintaining-the-Peace-in-Alfred-Tennysons-The-Lady-of-Shalott-May-2005-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;On &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;A&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;lfred Tennyson's "Lady of Shalott."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;   As lovely Kate has told me, I often provide unexpected but dead-on readings of texts.  This short essay is an example of such.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Useful Object&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (April 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823035/useful-object-beauty-queen"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3737684/Useful-Object-A-Man-as-the-Means-Toward-Salvation-in-The-Beauty-Queen-of-Leenane-April-2005-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Useful Object:  Man as the Means Towards Salvation in &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Martin McDonagh's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Beauty Queen of Leenane&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Visible Invisible&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (March 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3849630/The-Visible-Invisible-Man"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3742572/Visible-Invisible-Man-Giving-Notice-in-Ralph-Ellisons-The-Invisible-Man-March-2005-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;First paper I wrote on &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Ralph Ellison's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Invisible Man&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.  About how the novel really documents just how damned visible the ostensibly invisible man really is.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Worthy Companions &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(March 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823038/worthy-companions-evelina-paper"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3746578/worthy-companions"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Wrote this one for Eric Miller--one of the most playful professors/people I've ever been around.  As Eric likes to say, this one is characteristic of me:  I'm all about giving validation to ostensible villains.   I do this for they often deserve no less:  they're often those who help the "hero" grow, that is, to be a real hero.  They are often those who help the "hero" grow past the real villains, who cannot be named.  Deals with both &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Frances Burney's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Evelina&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; and &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Goethe's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Young Werther&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Essay on &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Caleb Williams&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (March 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3711017/Short-Essay-on-Public-Behavior-in-Caleb-Williams-March-2005-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Two page assignment on the evil eye in Caleb Williams.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Another Short Essay on &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Caleb William&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;s&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (March 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3711086/Short-Response-Paper-on-Caleb-Williams-March-2005-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Two page assignment exploring why Caleb Williams is really quite like Tyrrel.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Essay on &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Les Liasons Dangereuses&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (March 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3711078/Another-Short-Response-Paper-on-Les-Liasions-Dangereuses-March-2005-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Two page assignment on, "where are you, the reader,  when Cecile is fucked from behind?"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Another Short Essay on &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Les Liasons Dangereuses&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Feb. 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3711060/How-Readers-Likely-Experience-Les-Liasons-Dangereuses-Feb-2005-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Oops!--this is actually where I tackle, "where are you, the reader, when Cecile is fucked from behind?"  Sorry about that.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Essay on Francis Burney's &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Evelin&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;a&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Feb. 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710949/Short-exploration-of-Madame-Duvals-character-in-Frances-Burneys-Evelina-Jan-2005-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Two page assignment addressing why readers likely enjoy "viewing" Madame Duval's fall.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Another Short Essay on Francis Burney's &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Evelina&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Feb. 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3711040/Another-Short-Essay-on-Madame-Duval-Feb-2005-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Two page assignment exploring why Evelina is no "Miss Manners."&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Essay on &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Sorrows of Young Werther&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Jan. 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710994/Geothes-identification-with-Werther-Jan-2005-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Devil Made Me Enjoy It&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Nov. 2005) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3747165/The-Devil-Made-Me-Enjoy-It-Slaughter-as-Sweet-Revenge-in-Cormac-McCarthys-Blood-Meridian-Nov-2004-Word"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710337/Devil-Made-Me-Enjoy-It-Nov-2004-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;On &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Cormac McCarthy's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Blood Meridian&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.   Explores how Cormac McCarthy lures the reader into enjoying the riotous slaughter.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Splendid Isolation and Sweet Returns&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Nov. 2004) &lt;a href="http://www.scribd.com/doc/19686237/Spendid-Isolation-and-Cruel-Returns"&gt;(Word)&lt;/a&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3733956/Splendid-Isolation-and-Cruel-Returns-Robinson-Crusoes-and-Gullivers-True-Desires-Nov-2004-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Explores why "Crusoe and Gulliver were probably pleased that they found themselves parted from those whose company and/or advice they purportedly cherished."  Deals with &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Daniel Dafoe's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Robinson Crusoe&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; and &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Jonathon Swift's&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; Gulliver's Travels&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.   (Eric says, "Excellent paper--original in every aspect."  But of course, is my reply.)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Mi Casa, Su Casa&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (August 2004) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823015/mi-casa-su-casa"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3714421/Me-Casa-Su-Casa-August-2004-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Looks at &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Tarantino's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Pulp Fiction&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; as if it were a young suburbanite man's daydream, a daydream in which he can imagine himself in the company of his heroes, and in which he can configure means by which he could imagine garnering their respect.  Huge favorite. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Film Journal&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (August 2004) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3822990/entering-my-worldfilm-journal"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Response Paper on Aristotle&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (August 2004) &lt;a href="http://www.scribd.com/doc/20097009/According-to-Aristotle-3"&gt;(Word)&lt;/a&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3708884/Short-study-of-Aristotle-June-2003-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Response Paper on Plato&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (August 2004) &lt;a href="http://www.scribd.com/doc/3823037/Socrates-and-his-God"&gt;(Word)&lt;/a&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3717994/Short-Study-of-Platos-Apology-Summer-2004-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Another Short Response Paper on Plato&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (May 2004) &lt;a href="http://www.scribd.com/doc/3823024/Lie-About-Everything-Under-the-Sun"&gt;(Word)&lt;/a&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3717994/Short-Study-of-Platos-Apology-Summer-2004-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Securing Their Worth&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (March 2004) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823031/securing-their-worth"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3723226/Securing-Their-Worth-March-2004-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;About how children (or childish figures) gain the respect of discerning adults.  Deals with &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Robert Louis Stevenson's&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; Treasure Island&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; and &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;E.B. White's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Charlotte's Web&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.  I like this one.  Makes me warm inside.  (Spent time deciding between "countyside" and "stateside." Went with county.)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Not Meat:  the Maturation of a Little Girl&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (March 2004) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3714544/Not-Meat-The-Maturation-of-a-Little-Girl-March-2004-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;On &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Angela Carte&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;r&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;'s "&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;The Company of Wolve&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;s&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;."&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Motivating Secondary Students&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Feb. 2004) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823018/motivation-education-paper"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3714475/Motivating-Secondary-Students-to-Enjoy-Reading-and-Writing-Feb-2004-Scanned-"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Adam's Presumptuous [. . .] (Re)Quest&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Dec. 2003) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3822975/adams-presumptuous"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3708870/Adams-Presumptuous-Adventurous-Bold-and-Righteous-ReQuest-Dec-2003-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;On &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;John Milton's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Paradise Lost&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;.  Really explores why Adam is something of a devil himself.  Had a tough time preparing my Catholic teacher to see that there really was something to what I was saying here.  She saw presumption as evil, which lead me to be a bit careful in her class.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Reading Journal&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Dec. 2003) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3722415/Reading-Journal-Dec-2003-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Assignment where I did a number of short reviews of various examples of children's lit.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Ready for Read-Aloud&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;s&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Nov. 2003) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3722629/Ready-for-ReadAlouds-An-Exploration-of-the-Particular-Advantages-of-and-Specific-Concerns-Surrounding-ReadAlouds-in-High-School-Classrooms-Nov"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Ready for Read Alouds:  An exploration of the particular advantages of, and specific concerns surrounding, read-alouds in the classroom.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;The Other Crowd&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (August 2003) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823034/the-other-crowd"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3714561/The-Other-Crowd-at-A-M-Kleins-Political-Meeting-August-2003-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Doubting the orator's power in &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;A.M. Klein's "Political Meeting.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;"  One of a few short papers I did for more contemporary courses (this one's for a Cdn Modernism Poetry Class), that really convinced me that a) I could handle the poems, that my interpretations of them would be interesting to other poets; and b) that analyzing contemporary poetry is where it's at:  much more is to be gained by it than by looking earlier.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Fr&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;eeing Al Purd&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;y&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (August 2003) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3822996/freeing-al-purdy"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3712589/Freeing-Al-Purdy-From-Nationalist-Cell-to-Post-Modern-Freedom-August-2003-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Freeing Al Purdy:  From Nationalist Cell to Post-Modern Freedom.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Sinister Advances and Sweet Returns&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (July 2003) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823032/sinister-advances-and-sweet-returns"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3733096/Sinister-Advances-and-Sweet-Returns-Seduction-and-Restoration-of-the-Urn-in-John-Keatss-Ode-on-a-Grecian-urn-July-2003-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;About how &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;John Keats&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; tells his readers of a poet's attempt to "ravish" an urn--that is, how he tries to demonstrate the superior status of the spoken word to a beautiful but static object of art.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Privileging Marlowe&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (June 2003) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823028/privileging-marlow"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3721495/Privileging-Marlowe-June-2003-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Essentially--without exactly saying it--tries again to get at why men turn to narrative to try and deal with their experiences with bullying women.  Explores the narrator in &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Joseph Conrad's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Heart of Darkness&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Marcher's Merger &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(March 2003) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3912869/Marchers-Merger"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3714190/Marchers-Merger-Avoiding-Catastrophe-in-Henry-Jamess-The-Beast-in-the-Jungle-March-2003-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;On &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Henry James' "The Beast in the Jungle&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;."&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;First couple of lines:  At the end of Henry James' "The Beast in the Jungle," John Marcher decides that he has done nothing with his life--but the truth is he had once accomplished something noteworthy with his life, namely, he acquired an autonomous identity for himself, only this acquisition did not come cheap.  The price Marcher pays for individuating is his suspicion, his fear, that he is fated for an encounter with a Beast quite capable of destroying him.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Greedy for Your Hurt&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (March 2003) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3822999/greedy-for-your-hurt"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3712724/Greedy-for-Your-Hurt-March-2003-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Parental sadism in &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Alice Munro's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Lives of Girls and Women&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Andrea Ashworth's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Once In a House of Fire&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;, and &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Jean Cocteau's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Les Enfants Terribles&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Public Performance and Gender in [...] &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (March 2003) (Word) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3721641/Public-Performance-and-Gender-in-Gerard-Manley-Hopkinss-The-Wreck-of-the-Deutschland-and-in-The-Timess-Reporting-of-the-Deutschland-Disaster-Marc"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Public Performance and Gender in &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Gerard Manley Hopkins' "The Wreck of the Deutschland"&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; and in &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;The Times&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;' Reporting of the Deutschland Disaster.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Clockwork Orange:   Passage Analysis &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(March 2003) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3822980/clockwork-orangepassage"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;&lt;a href="http://www.scribd.com/doc/3710089/Analysis-of-a-Passage-from-Clockwork-Orange-March-2003-Scanned"&gt;(Scanned)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Perpetuation and Exclusion&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Dec. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3714987/Perpetuation-and-Exclusion-in-The-Norton-Anthology-of-Theory-and-Criticism-Dec-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Perpetuation and Exclusion in the &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Norton Anthology of Literary Criticism&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.   Not a single thing I'd recommend reading in this anthology, by the way.  Literature studies will change dramatically in the future.  So safe and cerebral.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Excites a&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;nd Inhibitions&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Dec. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3711116/Excites-and-Inhibitions-Dec-2002-Scanned-Paper"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Excites and Inhibitions:  The Poetry of &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Philip Larkin&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; and&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; Ted Hughes&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Response to Catherine Belsey's Lecture&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Dec. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3708904/Response-to-Catherine-Belseys-Lecture-Dec-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned) &lt;/span&gt;&lt;/a&gt;&lt;a href="http://www.scribd.com/doc/3822977/belsey"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;From Humbled Beginning&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;s&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Nov. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3822998/from-humbled"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3712682/From-Humbled-Beginnings-Nov-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Leaving Home&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Nov. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823010/leaving-home"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3713916/Leaving-Home-Nov-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Changing Subjects&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Oct. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710073/Changing-Subjects-in-Roland-Barthes-Death-of-an-Author-and-Jacques-Derridas-Structure-Sign-and-Play-Oct-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Changing Subjects in &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Roland Barthes "Death of an Author"&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; and &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Jacques Derrida's "Structure, Sign, and Play."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Separating From Symbiosis &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Oct. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3732206/Separating-from-Symbiosis-An-analysis-of-Samuel-Taylor-Coleridges-Reflections-on-Having-Left-a-Place-of-Retirement-Oct-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Irreconcilable Differences? &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Sept. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3713418/Irreconcilable-Differences-Literary-criticisms-turn-into-science-Sept-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Irreconcilable Differences?:  Literary criticism's turn (in)to science.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;In the Presence of an Image &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Sept. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3721364/In-the-Presence-of-an-Image-Ezra-Pounds-explanation-of-what-an-Image-is-Sept-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  In the Presence of an Image:  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Ezra Pound's&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; explanation of what an image is.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Used Toys &lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Aug. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3737342/Used-Toys-Ordinary-Readers-Encounter-Postmodernism-August-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Used Toys:  Ordinary Readers Encounter Postmodernism.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Poet as Physician &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Aug. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823027/poet-as-physician"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3721329/Poet-as-Physician-Healing-from-a-Wound-and-a-Word-in-Daphne-Marlatts-Healing-August-2002-Scanned-"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Full title:  Poet as Physician:  Healing from a Wound and a Word in &lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Daphne Marlatt's "Healing."&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Language and the Poet &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Aug. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3713556/Language-and-the-Poet-in-Michael-Ondaatjes-Early-Morning-Kingston-to-Gananoque-Aug-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Full title:  Language and the Poet in &lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Michael Ondaatje's "Early Morning, Kingston to Gananoque."&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Introductions and Initiations &lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Aug. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3712979/Introductions-and-Initiations-Our-Experience-with-the-Master-in-Phyllis-Webbs-To-Friends-Who-Have-Also-Considered-Suicide-Aug-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Introductions and Initiations:  Our Experience with the Master in &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Phyllis Webb's "To Friends Who Have Also Considered Suicide."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Haunting Raveloe &lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(June 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823002/haunting-raveloe"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3712757/Haunting-Raveloe-How-Geoge-Eliot-in-Silas-Marner-Exorcizes-Her-Past-June-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Haunting Raveloe:  How &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;George Eliot&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;, in&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Silas Marner&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;, Exorcizes her Past.   Really an example of how a late Victorian writer . . . no, scratch that--how a person who is struggling to be free manages her desire to hate those she feels compelled to revere.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Essay on George Eliot's . . &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;. (June 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710967/Short-Paper-on-George-Eliots-Narrative-Comments-in-Silas-Marner-June-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Short Essay on &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;George Eliot&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;'s Narrative Comments in&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Silas Marne&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;r&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style=" font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Exploration of William Wilkie Collins' . . . &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(June 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710114/Short-Exploration-of-William-Wilkie-Collins-The-Woman-in-White-June-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Short Exploration of &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;William Wilkie Collins' &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;The Woman in Whit&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;e&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Exploration of Charles Dickens' Motives . . .&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (June 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710754/Short-Exploration-of-Charles-Dickens-Motives-in-writing-Hard-Times-June-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Short Exploration of &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Charles Dickens&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;' Motives in Writing &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Hard Times&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;A Plea for Facts in Charles Dickens' Fiction&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (June 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710792/Short-Exploration-of-Charles-Dickens-Hard-Times-June-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Explores why &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Dickens&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; admires facts as much as his villains are wont to.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Exploration of Tenant of Wildfell Hall&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (May 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710027/Short-Exploration-of-Anne-Brontes-The-Tenant-of-Wildfell-Hall-May-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Explores &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Anne Bronte's &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Tenant of&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Wildfell Hall&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Critical Movements&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (March 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3822983/critical-movements-utopia"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710233/Critical-Movements-March-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Explores &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Thomas More's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Utopia&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; as a poetic work.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Stone Deaf to Flowered Pros&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;e&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (March 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3734303/Stone-Deaf-to-Flowered-Prose-On-Shakespeares-Sonnet-94-March-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3734303/Stone-Deaf-to-Flowered-Prose-On-Shakespeares-Sonnet-94-March-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;On &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;William Shakespeare's&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; Sonnet #94.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Jo's March&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (March 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3990416/Jos-March"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3713471/Jos-March-Becoming-Mother-Bhaer-March-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;One of my favourite papers.  On &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Louise May Alcott's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Little Women&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.  Full title is:  Jo's March:  Becoming Mother Bhaer.   Argument:  Little Women can be seen as revisiting the long gestational period with the mother in the home, and as recapitulating a strategy that enables a "little woman"--Jo Marsh--to individuate and become an adult.  As females, in particular, begin life with an initial estimation of the mother as someone similar to them, Jo individuates from her mother by successive internalizations of alien male "objects," which culminate with her imagining herself as distinct and, therefore, separate from her mother.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Draining the Amazon's Swamp&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (March 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3822987/draining-the-amazons-swamp"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710927/Draining-the-Amazons-Swamp-March-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Draining the Amazon's Swamp:  Civilizing Our Past in &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Elizabeth Gaskel&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;l&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;'s "Our Society of Cranford."  One of my more relaxed, innovative, and fun papers, me thinks.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Master Gilbert&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Feb. 2002) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823012/master-gilbert"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3714347/Master-Gilbert-An-Analysis-of-Passage-2-Feb-2002-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Movie Analysis:  Night of the Hunter&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Dec. 2001) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823027/poet-as-physician"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Atwood called it the scariest movie of all time.  I tackle a movie sequence midst it's most terrifying part.  Not yet revised, so it'll be rough. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Pleasure Into Pain, Pain into Pleasure&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Nov. 2001) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823026/pleasure-into-pain-pain-into-pleasure"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3721176/Pleasure-into-Pain-Pain-into-Pleasure-Mary-Shelley-and-John-Keats-Romantic-Solution-to-a-Classic-Problem-Nov-2001-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;The longest paper I've ever written.  Deals with Mary Shelley's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Frankenstein&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; (for the most part).  There are a lot of good ideas in here. And now revised, so hopefully once again near the head of the class. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Search for a Way&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Nov. 2001)  &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3822985/Our-Search-for-a-Way-of-Being-in-Blade-Runners-City-World-Word-"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3723033/Our-Search-for-a-Way-of-Being-in-Blade-Runners-CityWorldand-in-our-own-Nov-2001-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Our Search for a Way of Being in &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Ridley Scott's &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Blade Runner&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.  Explores a one minute clip from &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Ridley Scott's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Blade Runner&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.   How a soulful, searching disembodied eye encounters the city-world.   &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Having your Beef-cake, and Leaving him too&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Oct. 2001) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3822995/free-live-free"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3711900/Free-Live-Free-Oct-2001-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Having your Beef-cake, and Leaving him too:  Aphra Behn's "romance" with a prince, in Aphra Behn's &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Oroonoko&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.  Explores how Behn wrote &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Oroonoko&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; in order to more substantively experience sexual satiation.  Edited to read better.  Another early favourite.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Response to William Blake&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Oct. 2001) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3708912/Short-Report-on-William-Blakes-Poetry-Oct-2001-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Response to Aphra Behn's &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Oroonoko&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Sept. 2001) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3708891/Another-Response-to-Aphra-Behns-Oroonoko-Sept-2001-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Another Short Response to Aphra Behn's &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Oroonoko&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Sept. 2001) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3708898/Response-to-Aphra-Behns-Oroonoko-Sept-2001-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Response to Aphra Behn and John Wilmot&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Sept. 2001) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3746392/Short-responses-to-Aphra-Behn-and-John-Wilmont-Sept-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Short Response to Coleridge's "Christabel"&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Sept. 2001) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710105/Exploration-of-some-of-Coleridges-Christabel-Sept-2001-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Paradigm Shift&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (June 2001) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823023/paradigm-shift"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3714871/Paradigm-Shift-An-Immodest-Proposal-June-2001-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Explores &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Thomas Kuhn&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;'s idea of the "paradigm shift" in science.  Suggests why Kuhn himself should expect to become outdated.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Improving Man&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (April 2001) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3823006/improving-man"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Word)&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3712864/Improving-Man-A-Response-to-Anthony-Fletcher-and-to-the-Base-Man-Model-of-EarlModern-English-History-April-2001-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Argument in favor of looking at people (in this case, specifically the British) as evolving, becoming more psychologically healthy, over time.  British historiography.  Strong paper.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Report on Readings&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Feb. 2001) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3722880/Report-on-readingsbritish-history-Feb-2001-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;On British history.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;John Dewey:  An Anti-Darwinian, Inspite of Himself&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Aug. 2000) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3713548/John-Dewey-An-AntiDarwinian-Inspite-of-Himself-Aug-2000-scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Lloyd DeMause:  A Giant Amongst Dwarves&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (April 2000) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3713937/Lloyd-DeMause-A-Giant-Amongst-Dwarves-April-2000-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Paper written in a hurry, unfortunately.   The good stuff was in my presentation on the journal of psychohistory.  Had little left over to write this bit.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Humanists and Gentlemen&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (March 2000) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3712791/Humanists-and-Gentleman-Or-Patricks-Paper-for-Peter-March-2000-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Interview With Journal of Psychohistory&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Feb. 2000) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3712943/Source-From-Which-All-Good-Things-Flow-An-Interview-with-the-editorial-board-of-the-Journal-of-Psychohistory-Feb-2000-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;To Psychohistory and Beyond&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Dec. 1999) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3735510/To-Psychohistory-and-Beyond-Beyond-the-Annales-Dec-1999-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Looks at particularities of the journal of psychohistory, I believe.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Blind Justices Vs. Missionaries in Rowboats&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Nov. 1999) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3708949/Blind-Justice-Vs-Missionaries-in-Rowboats-Nov-1999-Scanned-Version"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Anyone new to anthropology may enjoy this.  Best paper I wrote for this class.  Explores how anthropologists tend to see such very different things when they're looking at the same things.  Ethnographic studies of New Guinea.  Not-revised.  &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Unreformed Electoral System&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (April 1999) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3737077/Unreformed-Electoral-System-To-Boldy-Go-Where-Few-Historians-Have-Gone-Before-April-1999-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Willy Loman's Potency&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (Aug. 1998) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3742654/Willy-Lomans-Potency-August-1998-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;First paper written on &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Death of a Salesman&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt; (second written in 2005).  This one draws attention to the character's heroic aspects.  I believe as I age I become more acute:  second paper gets at something even more vital than this one does.  Just couldn't see it yet.  &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;Freud and the Englishman's Boy&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt; (June 1998) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3712616/Freud-and-the-Englishmans-Boy-June-1998-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Wrote this one for a very smart and lovely literary critic/writer, who told me such as debatables as it's "best not to quote from encyclopedias."  On &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Guy Vanderhaegh's &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Englishman's Boy&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;.  She also tried me to write "as such," rather than "like." &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Tragic Fates of Almeda and Jane&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (April 1998) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3712616/Freud-and-the-Englishmans-Boy-June-1998-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Full title:  Tragic Fates of Almeda and Jane in &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Alice Munro&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;'s "Meneseteung" and &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Margaret Atwood&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;'s "Age of Lead." &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Review of Confidence Men and Painted Ladies&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; (Feb. 1998) &lt;/span&gt;&lt;a href="http://www.scribd.com/doc/3710143/Review-of-Confidence-Men-and-Painted-Women-Feb-1998-Scanned"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;(Scanned)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" font-weight: bold;font-size:13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" font-weight: bold;font-size:13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/840064991378993767-1841181470968093400?l=warwiththeworld.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://warwiththeworld.blogspot.com/feeds/1841181470968093400/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=840064991378993767&amp;postID=1841181470968093400' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/840064991378993767/posts/default/1841181470968093400'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/840064991378993767/posts/default/1841181470968093400'/><link rel='alternate' type='text/html' href='http://warwiththeworld.blogspot.com/2008/06/devil-made-me-enjoy-it.html' title=''/><author><name>Patrick Hallstein / McEvoy-Halston</name><uri>http://www.blogger.com/profile/02091303562091479924</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
